Merci de revenir prochainement
Cf. The article by Geneviève Breerette in Le Monde, dated 5 December 2003.
Aside from several biographical mistakes, some essential elements in Alexandra Exter’s career are missing, such as her big Moscow show of over a hundred works that was regarded as her first individual retrospective, her stay in Odessa (which has been well studied), her personal show in England, among others.
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